Ren, who is in her mid-twenties, goes on holiday with her Italian-Canadian parents and her younger sister Siena. Her family doesn’t know that she recently lost her job. Ren tries to find her way around the beach resort, which is geared towards retirees, and to escape her parents’ loving but overprotective ways, while her sister keeps the family on their toes with her rebellious outbursts. Knowing that Ren will be even more dependent on her parents’ support after the holidays, the resort house feels more and more confining.
In this refreshingly cliché-free film, writer-director Luis De Filippis tells of vibrant family dynamics and explores a Millennial’s conflicted desire to be independent yet cared for. While the film perfectly captures the tenor of a summer holiday where sunshine, watered-down booze, boredom and awkwardness are standard, there is an underlying sense of the slight unease that afflicts Ren as a trans woman in a conservative resort. Beyond melodramatic stereotypes, De Filippis and her team show us a world that authentically represents the trans experience.
Der Filmemacher Jules Guarneri wuchs in Villars zwischen seinen Adoptivgeschwistern in einem Chalet auf, welches regelmässig vom Geist seiner Mutter heimgesucht wird. Sie starb, als er 20 Jahre alt war. Sein Vater, Oberhaupt und Wächter der Familienchalets, übergibt sein filmisches Vermächtnis an den Sohn, mit dem Auftrag, er solle daraus seinen ersten Film realisieren. Jules beschliesst, dies als Gelegenheit zu nutzen, um sich vom Vater abzunabeln. So beginnt eine verzwickte, innige und bisweilen auch vergnügte Reise in die Unabhängigkeit.
In Switzerland, a country of neutrality, new, unfamiliar voices are being heard. Voices of women who fight for the recognition of structural racism, deconstruct stereotypes and confess their double identity as Swiss and Black. It is in this context that Rachel M’Bon begins her own search for identity. On her way to liberation, she questions her past, her present and holds up a mirror to her country and her peers.
The strength and determination with which Rachel M’Bon confronts her past is the strength of this film, which represents an important step towards opening up a discourse that has been suppressed for too long. Together with filmmaker Juliana Fanjul, the Swiss-Congolese journalist interrogates her country and portrays six protagonists. Each of them tells a story that reflects her own personal path to liberation.
We show the film in combination with the short film ETHEREALITY by Kantarama Gahigiri.
Stranded in space for 30 years. How does it feel to finally come home? A reflection on migration and the sense of belonging.
Kantarama Gahigiri is a Rwandan-Swiss filmmaker. In 2004 she won the prestigious Fullbright Award and moved to New York where she completed her Masters in Film. Her first feature film TAPIS ROUGE was screened and awarded worldwide.
Waleed (40) lives in Haifa with his wife and children and dreams of a writing career while suffering from chronic depression. He develops a close relationship with his neighbor (a small-time crook) with an ulterior plot in mind. While the scheme turns into an unexpected friendship between the two men, it leads them into a journey of dark encounters.
She thought it would never happen to her again.
He didn’t even know such a thing existed.
A woman, a boy and another impossible love story.
Anna (Sophie Rois) is 60, lives alone in West Berlin and has left her career as a celebrated acting star long behind her. Adrian (Milan Herms) is 17 years old and has stolen Anna’s handbag on the open street. Normally, two such different people would probably not meet a second time, but fate has other plans. Anna, who apart from her neighbour Michel (Udo Kier) has virtually no social contacts, is persuaded to become a voice coach and give lessons to a young man with a speech impediment. And as chances would have it, her new student is none other than Adrian.
In AEIOU, Nicolette Krebitz designs a relationship that not only surprises with a lot of tenderness and a wild, poetic hand stroke, but also turns both characters into individuals of integrity, self-empowered with each other, learning. Neither feels guilt, neither feels shame, both feel love and yet remain completely with themselves, lonely together, but not in the discouragement usually inherent in that phrase. On the contrary, it is a wild, unpredictable courage that stands above everything and leads the character development. Axel Timo Purr, Artechock
Giulia Tonelli, principal dancer at the Zurich Opera House, returns from maternity leave. She has to fight to find her place and a new balance, between the competitive and extremely demanding world of an elite ballet company and her new family life. The documentary is an unprecedented immersion in the microcosm of a great opera house from 2019-2021, an intimate and committed look at the journey of a woman who reclaims her own body and herself to be back on stage.